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Showing posts with label bob marley. Show all posts
Showing posts with label bob marley. Show all posts

Monday, October 22, 2012

VINTAGE Vol 2





01 Bob Marley - Roots Rock Reggae
02 Jacob Miller - Mrs Brown
03 Barrington Levy - Sister Carol
04 Barrington Levy - Shine Eye Girl
05 Gregory Isaacs - Front Door
06 Dennis Brown - All Night Long
07 Bob Marley - Kinky Reggae
08 Jacob Miller - Suzy Wong
09 Freddie McGregor - Big Ship
10 Dennis Brown - To Foundation
11 Gregory Isaacs - Tune In
12 Gregory Isaacs - Night Nurse
13 Dennis Brown - This Love Of Mine
14 Beres Hammond - Groovy Little Thing
15 Jacob Miller - Keep On Knocking
16 Dennis Brown - Wildfire
17 Gregory Isaacs - My Number One
18 Barrington Levy - Prison Oval Rock
19 Max Romeo - Chase The Devil
20 Bob Marley - So Much Trouble
21 Dennis Brown - Sitting And Watching
22 Sugar Minott - Vanity
23 Jacob Miller - I'm Just A Dread
24 Jacob Miller - We A Rockers
25 Bob Marley - Punky Reggae Party

DIRECT DOWNLOAD: VINTAGE VOL II

Monday, June 25, 2012

NEW PODCAST: JAMROCK ABU DHABI PROMO MIX







I was asked by the promoters to make a promo mix that blends old, not so old, new, and not so new all together in one podcast... Here is that product

Friday, January 20, 2012

BOB MARLEY'S LAND ROVER TO BE RESTORED :::LARGE UP:::


One of the first things visitors to the Bob Marley Museum see upon entering the premises at 56 Hope Road in Kingston is the singer’s baby-blue 1976 Land Rover. The museum is, temporarily, down one attraction, though, as the classic car was recently sent to a Land Rover dealer in Montego Bay to be assessed for a planned restoration, following years of exposure to the elements. Said to be Bob’s favorite ride, the truck has proven to be very popular with museum visitors—and staff. The Bob Marley Foundation’s general manager, Jacqueline Lynch-Stewart, said the removal of the vehicle has been “very traumatic” for workers there. “Any time anything goes it is traumatic. They get a little emotional.” That mellow mood shouldn’t last long, as the vehicle is slated to return to its usual place out in front of the museum following any necessary fixes.
SOURCE: LARGE UP

Tuesday, September 13, 2011

Toppa Top 10: Top 10 Caribbean Style Icons :::LARGE UP:::



Already proclaimed a “style icon” by Paper, Complex and, yes, even Okayplayer, Theophilus London has fashion brands tripping over themselves to work with him right now. Watching the Brooklyn-born Trinidadian rapper/singer’s ascension into full-fledged it bwoy, we can’t help but notice that he takes many of his stylistic cues from fellow Caribbeans, from Jean-Michel Basquiat to Fab Five Freddy and Harry Belafonte. Between Theophilus’ emergence and his fellow Trini Anya Ayoung-Chee‘s show-stealing on Project Runway, Caribbean style seems to be having a little moment right now, so it seemed like the perfect time to count down the most iconic practitioners of style from the islands and the Diaspora.

1. Bob Marley


Style is not the first thing people consider in regards to the Caribbean’s pre-eminent music legend, but Bob Marley had it in spades. Whether on a soccer field, a festival stage or in a British TV studio, Marley always exuded effortless cool. Tam caps, mostly unbuttoned button-up shirts and bell-bottom jeans were among his preferred garments, but it was his mane—and the iconic images of it—that, more than anything or anyone else, turned dreadlocks from merely a symbol of Rastafarian devotion to an ubiquitous, apolitical fashion statement. Honorable mention of course goes to Bob’s no less stylish musical partners, Peter Tosh and Bunny Wailer.

2. Grace Jones

The dictionary definition of style icon, the Jamaica-born, New York-raised, Europe-based model turned singer turned actress turned enigma might have made No. 1 on this list if she didn’t transcend ethnicity and geography. That’s not to say Grace Jones doesn’t rep her culture as much as any Caribbean on the world stage: just cue up “My Jamaican Guy” or any of her reggae-flavored 80s collaborations with Sly and Robbie and Chris Blackwell. MIA through much of the ’90s and 2000s, the 63 year old has returned in a big way in the last few years, most notably as a reference point/inspiration for Rihanna, Nicki Minaj, Lady Gaga and Amber Rose.

3. Fidel Castro

The cap, the beard, the fatigues—Castro has, arguably, the most identifiable signature look of any modern political leader. And while he was fading from official view due to his health problems in the 2000s, his trademark, square-brimmed olive cap—the “Castro hat”—became a staple of hipster fashion, stripped, for the most part, of its political connotations. Echoes of the Castro aesthetic can be found in the military-inspired garb worn by many reggae artists in the late ’70s.

4. Naomi Campbell

While our fashionista friends cast some doubt on her personal taste level, as the greatest supermodel of all-time Naomi Campbell has been the muse for many of the most experimental—and a lot of the most accessible—fashions of the last quarter-century.

5. Jean-Michel Basquiat

Another iconic U.S.-raised figure whose Caribbean background is often overlooked, the Brooklyn-born artistic genius was the son of a Haitian immigrant father and a fourth-generation Puerto Rican mother.

6. Patra

Patra had some fairly big hits in the ’90s but she’ll always be best known for her thick, “Patra braids,” the inspiration for a major women’s hair trend in the early-to-mid 1990s. She was still rocking them when we caught up with her last month for her first interview as she hits the comeback trail.

7. Gerald “Bogle” Levy

The Jamaican choreographer behind the Bogle, World Dance and Wacky Dip among other steps, Levy was the person responsible for introducing punk-rock fashions—spikes, studded belts, bleached hair—into dancehall more than a decade ago. Six years after his murder at a Kingston gas station, the look—as well as the dance step-driven songs that he was responsible for inspiring—remains as prevalent as ever.

8. Rihanna

Quickly shedding her innocent girl from Barbados act, Rihanna set the stage for Lady Gaga and Nicki Minaj (who was pretty close to making this list as well) in the mid-to-late 2000s, making avant-garde stage costumes and high concept fashion spreads a requirement for A-list female pop stardom. On a broader level, she’s had a bigger impact on women’s hair than anyone since Jeniffer Aniston.

9. Desmond Dekker

One of the original proponents of rude boy style and a demi-god to the mods and skinheads who were the first adopters of Jamaican music in Britain, the late ska/rocksteady pioneer Desmond Dekker was known for his trademark beret, always kept cocked to the side.


10. Lola Falana/Celia Cruz




Although their contributions to style are somewhat overlooked today, these two Cuban ladies blazed trails for dark-skinned women in the 1960s and ’70s. Born in New Jersey to a Cuban father and African-American mother, and discovered by Sammy Davis, dancer/actress Lola Fulana was the first Black woman to model for a line of cosmetics (Tigress by FabergĂ©) that was not targeted solely at blacks, one of the first Black women to pose for Playboy and, in the late ’70s, one of the biggest draws in Vegas. The Queen of Salsa, Cruz was just as renowned for her bold wigs and hairpieces–which were just as unpredictable in terms of color, cut and texture as Rihanna’s are now–though she would embraced her African roots, too, rocking an Afro and cornrows, in the ’70s. Always larger than life but never cartoonish, there was nothing subtle about her style.


Source:LARGE UP

Sunday, June 12, 2011

Official Trailer - Bob Marley: The Making of a Legend

Official Trailer - Bob Marley: The Making of a Legend from Trenhorne Films on Vimeo.


Based on footage shot in the early seventies and lost for more than thirty years, Esther Anderson’s film takes us on a journey to the Caribbean islands, to Jamaica and into 56 Hope Road, Kingston, to see and hear the young Bob Marley before he was famous. While exploring the powerful relationship between Esther and Marley, the film shows us the Wailers’ first rehearsal, when the idea of a Jamaican supergroup like the Beatles or the Stones was still just a dream, and sits in on the launch of their international career with "Get up Stand up", "I Shot the Sheriff", and the “Burnin'” and "Catch a Fire" albums that brought to the world Reggae music and Rasta consciousness together as one, starting a revolution that would change rock music and contemporary culture.